Marius von Mayenburg © Kristina Popov

Marius von Mayenburg (GER)

is an author, director, dramaturg and translator. Born in Munich, he studied scenic writing at the Berlin University of Arts. He was part of the team at the DT-Baracke in Berlin, and was dramaturg and  writer in residence at the Schaubühne Berlin. His plays (THE UGLY ONE, FIREFACE, A PIECE OF PLASTIC, etc.) are translated into more than 15 languages, successfully performed worldwide and have won several awards. He has translated numerous classics, including works by William Shakespeare and Oscar Wilde, into German.

Marius’ play NACHTLAND was originally commissioned by the Royal Court Theater/ London and received its world premiere at the Schaubühne Berlin in 2022. It was subsequently produced at the Young Vic in London.
His most recent trilogy consists of the plays EX, ELLEN BABIĆ and EGAL. EX premiered in 2021 at the Rikstheatre in Stockholm, Sweden. The German Premiere of ELLEN BABIC was produced  at the Berliner Ensemble in 2024 and in 2025, ELLEN BABIC and EGAL will be produced at the Burgtheater in Vienna.

As a director, Marius von Mayenburg has worked at the Schaubühne Berlin, Residenztheater in Munich, Schauspiel Frankfurt, Riksteater Stockholm, Nationaltheater Oslo, among many others.

Prizes (selection):
1998 – Frankfurt Authors Foundation Prize for FEUERGESICHT
1997 – Kleist Promotion Award for Emerging Dramaturges for FEUERGESICHT

Works (most recent)

EGAL

2023

Premiere: National Theater Reykjavik, IS

Simone arrives home from a business trip. Erik, her partner, is in a bad mood. She has built a career for herself. He takes care of the children and ekes out a living editing and translating for a publishing house. Erik feels like a looser because of his family responsibilities. Simone also has the feeling of suffocating.
They wanted to be avant-garde and bitterly realize that equality and success at work combined with family are loose promises of capitalism. A gift brought along and a ringing cell phone turn everything upside down: what is important to them and what doesn’t matter?

ELLEN BABIĆ

2022

Premiere: National Theater Reykjavik, IS

When Astrid invites her boss Wolfram Balderkamp to an informal work meeting to her place, her partner Klara is outraged. Balderkamp teaches at the school where Klara was Astrid’s student ten years ago. What happens when he remembers her? Besides, she can’t forgive his ‘learning methods’. What does Astrid want from him?
Like a spider, Wolfram roams the apartment, weaving a dangerous web with his questioning: Where did the two meet? And when exactly? Whether this one bath towel was gifted to Astrid  by students of the current year? And what exactly had happened with that one girl on the class trip?

EX

2021

Premiere: Riksteater Stockholm, SE

Daniel and Sibylle, married, two children, both have a career, both have settled into their upper middle class life without love and full of reproaches and resentment against each other. The picture-book façade seems to crumble when Daniel comes home late again and receives a phone call from his ex-girlfriend Franziska. As Franziska appears at the door, the trio beginn a bitter game of power, truth and betrayal, at the end of which there are no winners.