REPLAY by Yael Ronen
Director: Yael Ronen
German translation: Irina Szodruch
The world premiere takes place on December 14, 2024, at 8:00 p.m. at Schaubühne Berlin.
The world premiere takes place on December 14, 2024, at 8:00 p.m. at Schaubühne Berlin.
When Astrid invites her boss Wolfram Balderkamp to an informal work meeting to her place, her partner Klara is outraged. Balderkamp teaches at the school where Klara was Astrid’s student ten years ago. What happens when he remembers her? Besides, she can’t forgive his ‘learning methods’. What does Astrid want from him?
Like a spider, Wolfram roams the apartment, weaving a dangerous web with his questioning: Where did the two meet? And when exactly? Whether this one bath towel was gifted to Astrid by students of the current year? And what exactly had happened with that one girl on the class trip?
In the not-so-distant future, climate change has continued unabated, many species are already extinct, vast areas are barely habitable… A race begins to see who deserves to survive. Welcome to the alien entertainment reality show in which humans compete with chickens, pandas, ants, crocodiles and foxes to recolonize the earth as the only surviving species.
Dates & tickets
Ran Chai Bar-zvi receives the Kurt Hübner Directing Prize for his production of “Blutbuch”, based on the novel by Kim de l’Horizon, at the Staatstheater Hannover. The decision was made by Almut Wagner, head dramaturge at the Residenztheater and sole juror for the Kurt Hübner Directing Prize. “Ran Chai Bar-zvi always handles even large, existential material with lightness and an incredible instinct for entertainment, […] yet he never runs the risk of trivializing the serious core of the plays,” emphasizes Almut Wagner – as in ‘Blutbuch’, the work for which Ran Chai Bar-zvi receives the prize.
The award has been presented to young directors by the German Academy of Performing Arts since 1991 as part of the Eysoldt Prize ceremony in Bensheim. The prize is endowed with 5000 euros.
Charlie is in his mid-40s and teaches college students English literature. Exclusively online, with the camera switched off. Because Charlie is extremely overweight. He lives in isolation and has long since lost touch with his ex-wife and his 17-year-old daughter Ellie, who is difficult to raise.
Charlie’s interaction with the outside world is limited to home visits from his nurse friend Liz, who finds Charlie’s physical decline difficult to bear, and from the young missionary Elder Thomas.
When the consequences of the illness become life-threatening, Charlie finally makes contact with Ellie.
The film adaptation of “The Whale” (D: Darron Aronofsky) won Brandon Fraser the Oscar for Best Actor in a Leading Role in 2023.
On November 15-22, 2024, the Black Nights Film Festival took place in Tallinn for the 28th time. The film THE WORKER by Eliza Petkova (in development) was presented as part of the Baltic Event Co-Production Market and won the Eurimages Co-Production Development Award for Best Project.
Jury’s statement: “With the experience of immigration within Europe as a starting point, this project takes us, and the protagonist, on an unexpected journey. A journey during which the director invites us to rethink the meaning of community and masculinity.”
THE WORKER (dt. “Der Arbeiter”)
Director & screenplay: Eliza Petkova
Producer: Nicolas Kronauer
Produced by: ROW Pictures GmbH, Fourmat Film GmbH
Germany, Bulgaria
After a mine collapse, Georgi – a Roma man and a father in his late twenties – leaves his family in Bulgaria for Germany. He switches jobs, facing exploitation as an undocumented worker. His desire to maintain the image of a luxurious life in rich Germany leads him to construct a facade far from his truth.
Biedermann is outraged by the arsonists who have been starting fire everywhere – at least while he is at his local pub or on social media. But when they actually knock on his door, he politely asks them in, even though they make no attempt to hide their intentions. You have to have manners, after all. And you have to be civil: they are just two harmless peddlers. And if they aren’t, it’s better not to make an enemy of them. It would be unwise to afford that, even though you can afford (almost) everything else. Written as a political parable, the play targets a mindset that contributes to the success of destructive forces. How does it happen? Why, what for and by who are the impulses to understand simply pushed aside?
Premiere is on November 29, 2024 at 7:30 p.m.
Further dates & tickets
In the not-so-distant future, climate change has continued unabated, many species are already extinct, vast areas are barely habitable… A race begins to see who deserves to survive. Welcome to the alien entertainment reality show in which humans compete with chickens, pandas, ants, crocodiles and foxes to recolonize the earth as the only surviving species.
Dates & tickets
After fifty years of marriage, Nancy says out of the blue at the dinner table: “I think I want a divorce.” Her husband agrees and continues eating undisturbed. Her two sons, on the other hand, don’t like the decision at all. They try to change their parents’ minds – and in doing so, they are fighting for themselves: one wants to save his image of family, the other fears cracks in his traditional role as a man and soon-to-be father. In the end, despite the divorce, everyone starts talking and listening to each other. And suddenly there it is: the possibility of loving each other!
A housing estate on the edge of a small town – Stefan grows up in this idyllic terraced house. Between family strife and everyday school life, a third factor determines the teenager’s life: his parents have joined a free Christian church. The sheltered community has grown over the years. Who wouldn’t want to have the Savior himself as their best friend? But this friendship is not a gift. The members have to bear witness to each other about their lifestyle, their dreams and their desires. Those who disappoint Jesus are in danger of falling deeply. And Stefan must fear that this is exactly what will happen to him. Because he dreams of theater, and he desires men, which pleases neither the Messiah nor his club.