GRAND HORIZONS (Dt. ROSIGE AUSSICHTEN)
by Bess Wohl
German translation by lynn t musiol & Christian Tschirner

Premiere at Theater Bielefeld
Director: Dariusch Yazdkhasti

After fifty years of marriage, Nancy says out of the blue at the dinner table: “I think I want a divorce.” Her husband agrees and continues eating undisturbed. Her two sons, on the other hand, don’t like the decision at all. They try to change their parents’ minds – and in doing so, they are fighting for themselves: one wants to save his image of family, the other fears cracks in his traditional role as a man and soon-to-be father. In the end, despite the divorce, everyone starts talking and listening to each other. And suddenly there it is: the possibility of loving each other!

Steffen Link is nominated for Best Play – Nestroy Author Award with his debut DER VEREIN.
The award ceremony will take place on November 24, 2024 at the Volkstheater Vienna.
Click here for the jury’s statement

DER VEREIN (en. The Club) by Steffen Link
Free for a German premiere
The world premiere was in March 2024 at Schauspielhaus Wien (director: Theresa Thomasberger)

A housing estate on the edge of a small town – Stefan grows up in this idyllic terraced house. Between family strife and everyday school life, a third factor determines the teenager’s life: his parents have joined a free Christian church. The sheltered community has grown over the years. Who wouldn’t want to have the Savior himself as their best friend? But this friendship is not a gift. The members have to bear witness to each other about their lifestyle, their dreams and their desires. Those who disappoint Jesus are in danger of falling deeply. And Stefan must fear that this is exactly what will happen to him. Because he dreams of theater, and he desires men, which pleases neither the Messiah nor his club.

On November 16, 2024, Eliza Petkova’s SILENT OBSERVERS will celebrate its world premiere at the International Documentary Film Festival Amsterdam (IDFA). The 37th edition of IDFA will take place from November 14 to 24, 2024.

SILENT OBSERVERS
DE/BG, 96 min, 2024
Director, screenplay, editor: Eliza Petkova
Director of photography: Constanze Schmitt
Production: Red Carpet, Wood Water Films, rbb

As the population declines in a remote, run-down Bulgarian village, a traditional way of life comes to an end: the camera follows the last remaining inhabitants from the perspective of domesticated animals. Did the neighbor punish her violent son and turn him into a donkey? Is the cat possessed by a vampire? The villagers’ superstitions are fascinating and mysterious, and their affection for the animals contrasts with the raw way of treating them. With great attention to detail and passion for her four-legged protagonists, Eliza Petkova concentrates on portraying the animals without attributing thoughts or feelings to them.
Trailer

The 76th edition of PRIX ITALIA took place in Turin from October 1 to 4, 2024 under the title “Loud and Clear”. The production “EXZESS: A Techno Opera” by Noam Brusilovsky and Tobias Purfürst won in the “Radio & Podcast Music” category.

EXZESS: Eine Techno-Oper
Libretto: Noam Brusilovsky
Composition: Tobias Purfürst
Production: rbb

Jessica and Brian, a tourist couple, visit Berlin’s most famous techno club. They are happy to have made it inside this huge industrial hall shrouded in legend. Their plan: dance, take drugs, indulge in the sound. A few hours later, Jessica is found by the club staff, collapsing on the floor. The diagnosis: intoxication with high doses of ecstasy. She is dead within a few hours.
The radiophonic techno opera EXZESS tells the story of dying in a club. In an uninterrupted techno set, the protagonist Jessica (Susanna Hurrell) sings her dying aria. The tragedy is that Jessica is fully aware that her organs are gradually failing and that time cannot be turned back. As in classical opera, dying becomes spectacular in this technoid epic.

MONOPOLY – Eine Besteigung des deutschen Schuldenberges
from & by Calle Fuhr
at Theater Magdeburg
Co-produced by Festival OSTEN

The recession is in full swing, there is a lack of money in the next federal budget and Calle Fuhr wants to make his contribution to stabilizing the German economy. Because – if every citizen donates something to the state, he thinks – the debt hole can close quickly! But it’s not that simple.

The premiere takes place on September 21, 2024 at 6:00 p.m. at Theater Magdeburg.
Information & tickets

VERLANGEN (DESIRE) by Lisa Wentz
an adaptation of DESIRE UNDER THE ELMS by Eugene O’Neill
German translation: Lisa Wentz
Director: Cilly Drexler

Three brothers long to free themselves from their father’s tyranny. While one of them wishes to inherit the barren farm, the others are in a gold rush. The struggle for power and love begins when Agnes – the old man’s new, young bride – enters the yard.
With VERLANGEN (German for desire), Lisa Wentz tells Eugene O’Neill’s DESIRE UNDER THE ELMS from a radical, feminine perspective.

The premiere took place on September 14, 2024 at Tiroler Landestheater Innsbruck.
Information & tickets

LIEBES ARSCHLOCH (orig.: “Cher connard”) by Virginie Despentes
Stage adoptation: Victoria Weich
Direction, set design, costume: Ran Chai Bar-zvi
at Theater Münster

The 76th edition of PRIX ITALIA will take place in Turin from October 1-4, 2024 under the title “Loud and Clear”.
The competition features the production “EXZESS – A Techno Opera” by Noam Brusilovsky and Tobias Purfürst (category: Radio & Podcast Music).

EXZESS: A techno-opera
Libretto: Noam Brusilovsky
Composition: Tobias Purfürst
Production: rbb

Jessica and Brian, a tourist couple, visit Berlin’s most famous techno club. They are happy to have made it inside this huge industrial hall shrouded in legend. Their plan: dance, take drugs, indulge in the sound. A few hours later, Jessica is found by the club staff, collapsing on the floor. The diagnosis: intoxication with high doses of ecstasy. She is dead within a few hours.
The radiophonic techno opera EXZESS tells the story of dying in a club. In an uninterrupted techno set, the protagonist Jessica (Susanna Hurrell) sings her dying aria. The tragedy is that Jessica is fully aware that her organs are gradually failing and that time cannot be turned back. And as in classical opera, dying becomes spectacular in this technoid epic.