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REQUIEM

Text & Inszenierung: Jakab Tarnóczi

REQUIEM is a multigenerational Hungarian family story centered around women: a larger-than-life grandmother, her daughter and daughter-in-law with whom she has a strained bond, and the granddaughter returning home from abroad. We gain insight into three periods of the family’s and their community’s life, defined by the motifs of birth and death.
The production is a joint experiment by Jakab Tarnóczi and his creative team on how theatre can speak about a nation’s state of mind, its nerves, its micro-communities – and whether it is still possible to believe in some kind of shared future.

The World Premiere takes place on April 25, 2026, at Katona Jósef Theater in Budapest.

EINE RUNDE SACHE (AND NOTHING EVER ENDS) based on the novel by Tomer Gardi
Stage adaption and Direction: Noam Brusilovsky

26.04.2026 at 8:30 p.m. at Alter Saal, Theater Heidelberg

World Premiere: September 2025, Schauspiel Stuttgart
“Lively, profound, and utterly absurd” / “A tale of mischief about the experience of being an outsider, which tackles serious themes with audacity and empathy.” – Südwest Presse
“Noam Brusilovsky’s production is every bit as witty as Gardi’s five-person picaresque play and runs like clockwork, ….”– Ludwigsburger Kreiszeitung

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ELISABETH! by Mareike Fallwickl
Direction: Fritzi Wartenberg

01.05.2026 at 8:30 p.m. at Marguerre-Saal, Theater Heidelberg

World Premiere: April 2025, Burgtheater Vienna
“An evening that will leave no one unmoved.” – Frankfurter Allgemeine Zeitung

“The script is outstanding. Stefanie Reinsperger and the directing team’s interpretation is brilliant. Cheers, ovations, and no end in sight.” – DrehPunktKultur

BETWEEN THE RIVER AND THE SEA

by Yousef Sweid and Isabella Sedlak
with Yousef Sweid
directed by Isabella Sedlak
Composition & Sound Design: Thomas Moked Blum
Produced by Maxim Gorki Theater, Berlin

Isabella Sedlak and Yousef Sweid are coming to London with their internationally acclaimed production BETWEEN THE RIVER AND THE SEA, with performances at the Royal Court Theatre from April 20 to May 9!
Palestinian-Israeli actor Yousef Sweid dives into the chaos of identity, truth, and family life in Between The River And The Sea. Raised as a Christian-Arab kid in Haifa, now raising two Jewish-Arab kids in Berlin, he unpacks his in-between-ness – where contradictions clash and slogans fail. With biting humour and raw honesty, Sweid weaves personal stories, political reflection, and absurd everyday moments into a sharp, unflinching solo performance.

The London premiere will take place on April 20, 2026 at 7 p.m. at the Royal Court Theatre (Jerwood Theatre Upstairs).

CASSANDRA
OR SONGS OF THE CANARIES

Concept & Direction: Marta Górnicka
Libretto: Marta Górnicka & Ensemble
Costume Design: Pola Kardum

Pola Kardum designed the costumes for Marta Górnicka’s chorus production at the Maxim Gorki Theater, who, together with a group of people spanning different generations, languages, abilities, and life experiences, sets out in search of the true Cassandras of our time. Voices that go unheard. Voices that are attacked. Voices without a lobby.

The world premiere will take place on April 18, 2026, at 7:30 p.m. at the Maxim Gorki Theater in Berlin.

MOSKITOS (Mosquitoes)

by Lucy Kirkwood
German translation by Corinna Brocher
Directed by Anna Stiepani

Anna Stiepani, who has worked at the Burgtheater in Vienna, the Schauspielhaus in Zurich, and the Staatstheater in Nuremberg, is directing for the first time at the Badisches Staatstheater in Karlsruhe. This well-made play by British playwright Lucy Kirkwood focuses on those who are excluded from the social order. The plot revolves around CERN, the famous international research facility, for which KIT’s Institute for Experimental Particle Physics also conducts research.

The premiere takes place on April 17, 2026, at 7:30 p.m. at Badischen Staatstheater Karlsruhe (Kleines Haus) statt.

BURN, BABY, BURN!

by Yael Ronen
German translation by Irina Szodruch
Directed by Yael Ronen

Yael Ronens new play spans a vibrant arc from a fictional comic about fire goddesses all the way back to antiquity, to ancient Rome and Emperor Nero, perhaps history’s most famous arsonist. These ancient images become a sparkling mirror of the present: they reflect crises, displays of power, and humanity’s age-old fascination with fire, destruction, and renewal. With sharp wit, great enthusiasm, and songs reimagined live, a polyphonic theatrical evening emerges that moves between myth and the present, bitter comedy and tender melancholy. An evening about what burns—and what can arise from it.

Die world premiere takes place on April 17, 2026, at 7:30 p.m. at Schauspielhaus Hannover.

DIE QUELLE (THE SOURCE)

Directed and written by Calle Fuhr  | In cooperation with DOSSIER

A production of Theater am Werk
In cooperation with DOSSIER and Schauspielhaus Wien

The BAWAG scandal or the Ibiza affair: Behind these scandals are people who provided journalists with sensitive information. In collaboration with DOSSIER, director Calle Fuhr now places one of these sources at the center of his play.
Over the course of several months, director and writer Calle Fuhr held discussions with journalists from Austria and Germany to better understand the mechanisms of so-called whistleblowing. In the process, he also managed to make personal contact with some of the sources. The resulting story is, of course, fictional—though full of allusions to real cases.

The world premiere takes place on April 16, 2026 at 7:30 p.m. at Theater am Werk im Kabelwerk.

MONSTER
EINE VISUELLE ALBTRAUMANALYSE

by Recke/Lehmann/Froelicher
Commissioned by the Schauspielhaus Zürich

Costume Design: Pola Kardum

MONSTER explores the early childhood process of individuation and the formative relationship between mother and child; more specifically, the relationship between white mothers and non-white children in the context of colonial continuities and social norms in German-speaking countries.

The world premiere will take place on April 11, 2026 at 8 p.m. at the Pfauen at Schauspielhaus Zürich.

FRÄULEIN ELSE

Freely adapted from Arthur Schnitzler
by Leonie Böhm and Julia Riedler
A production of the Volkstheater Wien

Stage & Costume Design: Belle Santos

Following its premiere on February 8, 2025, at the Volkstheater Wien and its Cologne premiere in March 2026, the production will now have its Munich premiere before heading to Berlin in May for the 63rd Theatertreffen.

“A magnificent evening.” – Kölner Stadt-Anzeiger
“An impressive solo performance.” – Süddeutsche Zeitung

The Munich premiere will take place on April 2, 2026 at 8 p.m. at the Schauspielhaus of the Münchner Kammerspiele.

MORNING TIME
by Belle Santos & Emi Ogura

Artistic director, scenography, costume design, score: Belle Santos
Performance: Nagao Akemi, Emi Ogura, Nagao Akemi, Belle Santos, Mervan Ürkmez

On March 27 and 28, Belle Santos will present MORNING TIME at the Sophiensæle in Berlin—a production created during her residency in Tokyo. Through poetic imagery, she reflects on loss and grief and develops a choreography based on Japanese rituals.

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